Like a large part of the US this past week, it’s been cold enough to be considered sweater weather here in SW Oklahoma. We had a little freezing rain, some sleet, and for us, a whole lot of snow. Enough snow that the small town bank where I work didn’t open for business one day. A snow day for adults (woot!).
The snow has finally melted in the last few days, turning our dirt road into a muddy bog – but even with the extra play day that saw me hunkered down in the house with our two dogs, I find that the closer it gets to Christmas the more hurdles there are trying to keep up with ongoing and time critical projects. No surprises there.
Stitchin’ Witch has sent out the instructions for Segment 8 of her mystery sampler. The pattern is Kansas Troubles, a beautiful block, but I haven’t had the time to even contemplate fabrics or color placement. Perhaps I can make some progress later on this week.
Part 3 of Bonnie Hunter’s Celtic Solstice mystery project posted the morning of Friday the 13th, which as it happened, turned out to be a wild and wooly day at work. In addition, it was just a couple of nights away from a full moon. Perhaps it was those two events so near to each other that caused things to get so weird around the edges. At any rate… after all of the bizarre and curious events of Friday, I decided that rotary cutting would be better left until the weekend.
For the small quilt, we were required to make 200 HSTs, using 100 to make twenty-five 3.5″ (8.89 cm) pinwheels, reserving the remainder to use somewhere else in the quilt. Every time I make pinwheels, I’m reminded of how much I like pinwheels.
This time last year – while working on Bonnie’s Easy Street mystery – I fell behind, eventually finishing up weeks after most of the other participants. I’m determined to stay on target with this year’s project, so I cut on Saturday and pieced on Sunday, putting a period to this segment.
We finally have enough components to start playing around with. The yellow floral stands in for the unknown parts of the blocks – with so many possibilities, it’s a guessing game. In all probability I’m way off base, but use a little imagination to fill in the blanks…
I’ve added a photo (and link) from Bonnie Hunter’s website. The image below is a portion of the floor from Christ Church in Dublin, Ireland. It’s easy to see that Bonnie was inspired by the palette. More than that? Only time will tell.